Late winter seems like the perfect time for some grassroots marketing; let’s keep me inspired with some new readers.
Tell one new person about the Musician in the Middle of Nowhere and then post here about who you are and that you spread the word about Tom Rasely’s music (or on Facebook http://www.facebook.com/trasely) .
You don’t have to walk up to strangers either. Write the blog address on a post it note and leave it at the music store. Email a coworker who likes music; leave the Facebook link scribbled on a napkin at the Open Mike night. The idea is to spread the word about the nowhere guitarist and help my readership grow.
So post today who you told and that’s it--you’re entered in the drawing. At the end of the week, I’ll pull a name out of the hat and announce it on the blog and Facebook. Then you email me and I’ll send you the free cd; couldn’t be easier.
(Thanks to Jenna at Coldantler Farm for the idea).
Monday, February 22, 2010
Wednesday, February 17, 2010
Not all of my friends are guitarists. Bob Tousignant (too-SEE-nyahnt) is a drummer…an extraordinary drummer. I met Bob through a mutual friend, Chris Natoli. Bob is one of the more serious students of drumming; he practices rhythms that he’ll never get a chance to use, just for the joy of learning them.
You probably have heard Bob play. He was the drummer for The Music Explosion (“Little Bit O’ Soul”) and Crazy Elephant (“Gimme, Gimme Some Lovin’”). Bob has performed at the Rock ‘n’ Roll Hall of Fame where the Music Explosion album is part of the Bands from Ohio display. One of the biggest differences between Bob and me is that I had to pay to get into the R&R Hall of Fame, and he was invited to play in the main foyer.
Bob has no web site, but if you are anywhere near Chenango County, NY you might catch him playing with Eric Porter and/or Jes Sheldon some night. You can also hear Bob on “Tea with the Man in the Moon” on my HALFWAY CD, and “Mon Ami” from my ONE TO ONE CD.
Monday, February 8, 2010
Get two or more guitarists get together, and the discussion will eventually wander to the question: Who is the best guitarist?
With so many players to choose from, in so many different styles- let's face it, there never was, and never will be just one "best"; and after all, what we really mean by "the best" is "my favorite". Insisting on your favorite will only prolong an argument, not end it. It's a classic case of apples and oranges, or even fruit salad.
Don't get me wrong; it's good to have guitar heroes. It's good to have opinions about players. However, a better question to ask might be: WHY do I think that (fill-in-the-blank) is the best guitarist? When you answer that question, you actually begin to learn something…or teach something!
One of the reasons that guitarists look for "the best" is that we secretly want to BE the best. And even the best players have other players who they look up to. Andres Segovia, the grand master of the classical guitar, had the inspiration of Gabriel Ruiz de Almodovar, of whom he said "I felt like kissing the hands of a man who could draw such beautiful sounds from the guitar"; and although he'd never met Tarrega, the maestro reverently referred to him as the man who "created the soul of the guitar".
So, here's the bottom line: aspire to be the best (at whatever you do), and remember that even the "best" players are trying to do the same thing.