Sunday, January 10, 2010

My guitar buddy, Chris Woodward



Chris Woodard is an extraordinary musician: a fine guitarist, a teacher, a recording artist. I met Chris in 1982 in Ithaca, and over the years I was privileged to play on several recordings of his with Celtimorphosis, visit http://www.orchardbeat.com/ . Chris not only plays classical and fingerstyle guitar, he also plays a variety of pick styles, as well as lead guitar. Chris gave me my one and only lesson on slide guitar- over the phone!



Chris’ solo album “Guitar Stories” is available through his web site: http://www.smilingcollie.com/

Monday, January 4, 2010

On Writing Music


I write to task. I seldom sit down and write something just because I think I should, although my string quartet would probably fall into this latter category. I write with a specific performance in mind, a particular set of lyrics or idea, a deadline. Because of this I have never experienced what is known as “writer’s block”.

My composition teacher at SUNY Fredonia (NY), Walter Hartley, once said about writing, “If you are a composer, you will pick a note to start on. If you are a really good composer, you will choose a second note and it will be the Right Note.” It took me over 10 years to understand this. What he was saying is that the second note is “right” not only because it leads from the first note, but it also leads to the third note. That’s what makes it so difficult.

When writing a vocal piece, I try to let the words sing for themselves. Words are very lyrical, very melodic, if you know how to listen. This also does not happen overnight.
You can check out some of my music on http://www.cdbaby.com/rasely

Friday, January 1, 2010

Free on the First, "Miriam's Dance"

Welcome to the very first "Free on the First" post. At the beginning of every month, I'll be offering a free download of music, sheet music, guitar tabs, etc. Let me know how you like this one, it's called "Miriam's Dance":

http://www.youpublish.com/tomrasely

Wednesday, December 23, 2009

Standing out by blending in

Usually a Musician in the Middle of Nowhere works hard at standing out from the crowd--honing his craft to be the best musician he can be, staying in the public eye and ear, being innovative and keeping the music fresh.

Sometimes blending in can be a great way to stand out. Working with local business owners, being a part of the local arts scene, being available to help other artists--these are all good ways to be a stand out in your community.

Here's an artist who has given new meaning to "blending in" and has thereby developed a stand out style:


http://v1kram.posterous.com/liu-bolinthe-invisible-man

Wednesday, December 16, 2009

Christmas Challenge

Over the years I've recorded many Christmas carols so I challenged my Facebook fans to come up with a traditional carol I hadn't recorded. You can see the winner on my Youtube page.
http://www.youtube.com/tomrasely

Tuesday, December 8, 2009

LORD'S PRAYER, free sheet music

Here's a new setting I wrote of this familiar prayer. It's simple to learn and simple to sing - 5 notes in the melody line and 4 chords in the guitar line.


http://www.uccnorwichny.org/Portals/1203/The%20Lords%20Prayer%20Rasely.pdf




Friday, December 4, 2009

HUMOR-ESQUE

Of all the qualities needed to make it as a Musician in the Middle of Nowhere (or anywhere for that matter), humor ranks pretty high.

Humor gets you through the days when half of your students drop lessons.

Humor gets you through the times when no one returns your calls, emails, or even posts on your Facebook page.

Humor helps you weather those nights playing in bars when no one listens to a note you play. Here’s a true story—I once played my arrangement of “Misty”; as the last note was still ringing, a woman came up to me and asked if I would play “Misty”. I told her “Yes” and proceeded to play it again. I get a good laugh out of telling that one every time.

Humorous “road stories” serve as a universal bond between musicians; every real musician has stories about gigs that make Stephen King’s novels seem tame.
Humor puts into perspective the broken strings, lost amp cords, and ripped off songs; better than broken bones, lost love, or ripped off…well, forget that last. A ripped off song ain’t funny, and I speak from experience.

Jean Shepherd (author of “A Christmas Story”) once said that there is nothing funnier than obsession. And a career musician is quite often obsessive about music: writing it, recording it, performing it, and selling it. And the funniest part is that they are also obsessive about making a living from it. As in: “this is living???” But without the obsession, a musician might just as well go get that “real job” that everyone talks about.

Understand, I don’t mind being the brunt of a joke, but I do not want to be the punch line. Humor helps to keep that all manageable…thank goodness.