Practice Makes Perfect...Practicers!

Question: Hey buddy, how do you get to Carnegie Hall?
Answer: Practice!

Conventional wisdom says, "Practice makes perfect.” Usually, when you take music lessons, you are expected to spend a certain amount of time practicing. The truth is that sometimes the only thing practicing makes you perfect AT is practicing.

My idea has always been that, if you insist on using the word “practice”, use it in the same way as doctors and lawyers.

When doctors talk of practicing medicine, they do not mean that they are rehearsing in order to get better at it. The same goes for lawyers. It reminds me of what Yoda says in Star Wars, Episode V, “Do or do not; there is no try.” I tell my students to Play, even if it’s a simple exercise. Consider that every time you play, it’s a performance, even if you are the only one in the audience.

So, how do you get to Carnegie Hall? PLAY!

My First Composition

The first thing I ever wrote was a very (very) short piano piece called “The Robin’s Song”. Chances are that I was inspired by all that wonderful music in the Schaum piano method books; I think I only ever made it to Book B (I know the series went at least up to G). Anyway, I was 8 years old and riding in the back seat of the family car. I had a small notepad with me and I began by drawing music staff lines. Adding a g clef, I started to pen (or pencil) my master opus. The whole song lasts about 20 seconds. Frankly it isn’t very good, but it’s a first, and I still have that original sheet of paper.

Instead of laughing at it, my parents were quite excited that I had written musical notes of my own choosing. They always encouraged me, and I hope that I am passing that along to my students and friends.

Encouragement--pass it on.

GUITAR BOOKS

Along with recording more music than even I can usually remember, I’ve written quite a lot of instructional material to make learning the guitar easier…and fun. Titles include:

• 
  The Chord Chart Guitar Method


• A Complete Explanation of The Circle of Fifths


• The Un-dreaded Barre Chord


• Unlocking The Upper Neck


• Stuck in a Rut


• Writing for the Guitar
  
  The underlying purpose of all these books is Practical Theory. Too many guitar books either over-explain, or under-explain the operation of music theory in regards to the guitar. With concise text, plus a lot of musical examples and songs, these books can be a terrific help to the guitar hobbyist, or to the professional musician
  
  All these titles, along with a lot more information on each, can be found on my website athttp://www.rasely.com/book.htm and can be ordered through Paypal. They’re all well worth the price (if I do say so myself!).

FREE ON THE FIRST, "Six Days"

March's free download is called "Six Days" and is a fingerstyle piece with a bluesy feel. Enjoy it and share it with your friends.http://www.youpublish.com/tomrasely

CD Giveaway

Late winter seems like the perfect time for some grassroots marketing; let’s keep me inspired with some new readers.

Tell one new person about the Musician in the Middle of Nowhere and then post here about who you are and that you spread the word about Tom Rasely’s music (or on Facebook http://www.facebook.com/trasely) .

You don’t have to walk up to strangers either. Write the blog address on a post it note and leave it at the music store. Email a coworker who likes music; leave the Facebook link scribbled on a napkin at the Open Mike night. The idea is to spread the word about the nowhere guitarist and help my readership grow.

So post today who you told and that’s it--you’re entered in the drawing. At the end of the week, I’ll pull a name out of the hat and announce it on the blog and Facebook. Then you email me and I’ll send you the free cd; couldn’t be easier.

(Thanks to Jenna at Coldantler Farm for the idea).

My drummer buddy, Bob Tousignant

Not all of my friends are guitarists. Bob Tousignant (too-SEE-nyahnt) is a drummer…an extraordinary drummer. I met Bob through a mutual friend, Chris Natoli. Bob is one of the more serious students of drumming; he practices rhythms that he’ll never get a chance to use, just for the joy of learning them.

You probably have heard Bob play. He was the drummer for The Music Explosion (“Little Bit O’ Soul”) and Crazy Elephant (“Gimme, Gimme Some Lovin’”). Bob has performed at the Rock ‘n’ Roll Hall of Fame where the Music Explosion album is part of the Bands from Ohio display. One of the biggest differences between Bob and me is that I had to pay to get into the R&R Hall of Fame, and he was invited to play in the main foyer.

Bob has no web site, but if you are anywhere near Chenango County, NY you might catch him playing with Eric Porter and/or Jes Sheldon some night. You can also hear Bob on “Tea with the Man in the Moon” on my HALFWAY CD, and “Mon Ami” from my ONE TO ONE CD.

Who is the Best Guitarist?

Get two or more guitarists get together, and the discussion will eventually wander to the question: Who is the best guitarist?

With so many players to choose from, in so many different styles- let's face it, there never was, and never will be just one "best"; and after all, what we really mean by "the best" is "my favorite". Insisting on your favorite will only prolong an argument, not end it. It's a classic case of apples and oranges, or even fruit salad.

Don't get me wrong; it's good to have guitar heroes. It's good to have opinions about players. However, a better question to ask might be: WHY do I think that (fill-in-the-blank) is the best guitarist? When you answer that question, you actually begin to learn something…or teach something!

One of the reasons that guitarists look for "the best" is that we secretly want to BE the best. And even the best players have other players who they look up to. Andres Segovia, the grand master of the classical guitar, had the inspiration of Gabriel Ruiz de Almodovar, of whom he said "I felt like kissing the hands of a man who could draw such beautiful sounds from the guitar"; and although he'd never met Tarrega, the maestro reverently referred to him as the man who "created the soul of the guitar".

So, here's the bottom line: aspire to be the best (at whatever you do), and remember that even the "best" players are trying to do the same thing.