Sunday, September 30, 2012

Lawrence of Arabia





In a few days, the 1962 grand epic film “Lawrence of Arabia” by David Lean, and starring Peter O’Toole and a cast of huge names (Omar Sharif, Alec Guinness, and Arthur Kennedy), will be re-released in an all new digitized format. This movie is not only celebrating its 50th anniversary, but also celebrates the life of one of the amazing people in history.

Thomas Edward Lawrence was born in 1888; he was the son of a Lord but his father never married his mother. As World War I unfolded across Europe, there was an equally intense conflict in the Middle East, particularly centered in Arabia, Syria and Turkey. Lawrence, who had spent his early professional life as an archeologist in that geographical area, found himself as a lieutenant in the British army in the position of cartographer in Cairo. Through his archeological studies, he had also become conversant with several Arabian languages and dialects, and in 1916 was publishing an Arabic newspaper through which he tried to gain attention to the Arab struggles for freedom, not only from the Turks but from the British also.

T. E. Lawrence had a definite distaste for the limelight and for bloodshed; however, his role in the Arab Revolt covered him with both on a daily basis. He was a most reluctant hero.

During this war, Lawrence kept a journal of his thoughts and observations, and eventually published them in a book called “Seven Pillars of Wisdom” which was finally published 1926.

In 2009, after having read Seven Pillars for a second time, I was impressed with Lawrence’s use of imagery and poetic language. In homage to the Seven Pillars of the title, I chose seven particularly beautiful phrases from the text and composed instrumental music to express each short segment:

  • Silences of Stars
  • Off the Pilgrim Road
  • Granite Spires
  • The Mirage Had Begun to Dance
  • The Hallowed Ground Re-echoed
  • Circle Beyond Circle
  •  Last light of the West/Dance of the Sunbeams

These pieces, amounting to around 23 minutes of music, are collected on a CD which I also titled “Seven Pillars of Wisdom” and are available through Amazon .
There is also a video presentation of section 2: Off the Pilgrim Road, on Youtube .
I hope that you will take a few moments and watch the video, and share it with friends.




And although the film is somewhat fictionalized, it is amazing how much of Lawrence’s writing, and some of his dialog, are included in the context of the film. If you haven’t seen it, go see it (or get it when it’s released on DVD. If you know the film, now is a good time to watch it again.

Tuesday, September 18, 2012

Settling In


When we moved to Chenango County in upstate New York, there was a gentleman who regularly asked us if we were settling in…for about the first 5 or 6 years he asked us that.

Now we find ourselves in a new area, southern Indiana. We’ve been here now for about 2 months, and the answer to the question is: Yes, we are settling in.

In many ways, it’s like starting all over again from scratch. None of the acreage around the house was plowed up for a garden; much of the lawn was overgrown; there were no structures that would house any animals so we had to build one. Musically, because I know so many people all over the country, I wasn’t at so much of a loss, although having to establish my teaching studio is going to be harder than I thought. After all we were in our last location for the better part of 25 years.

The internet has been very useful in helping me find names of organizations and people; my email program has been working overtime these 8 weeks.

Composing music and working on recordings has taken a back seat to getting the homestead in working shape. In the past 2 weeks I have begun working on two songs: a new baseball song and a church anthem. It feels good to get back to it.

We have met so many really nice people out here in the Hoosier State, many of whom have helped us out in ways that surprised even us. Like for instance, how many people do you know who have two (2!!) neighbors who own backhoes with bucket loaders? It restores one’s faith in humanity.

So, yes, we continue to settle in, and continue to rebuild our rural paradise in a whole new geographical and social setting. As things unfold, and we finally break all the ties with New York, we will begin to see this Midwest reality as normal. Until then…we’re still settling in.

Sunday, August 19, 2012

Thirty Seven Cents!


There’s a song from the Musical “The Pajama Game” in which John Raitt’s character sang:

“I figured it out
With a pencil and a pad I figured it out!
Seven and a half cents doesn't buy a hell of a lot,
Seven and a half cents doesn't mean a thing!
But give it to me every hour,
Forty hours every week,
And that's enough for me to be living like a king!
I figured it out.”

(Song written by Richard Adler and Jerry Ross)

(The workers at the pajama were asking for a raise, and this song carried their message.)

So what difference could 37 cents make to me? Well…I’m glad you asked.

About 3 months ago I received a Royalty statement from OCP (Oregon Catholic Press). A royalty (for those who don’t know, is a payment for use of a writer’s work; in this case a song. My friend Bobby Fisher made a recording of one of my songs on one of his CDs a while back, and because he re-wrote some of the lyrics, I receive about 75% of the available royalties for that song. That means every time OCP sells one of these CDs (“If We Dare to Hope”), I get 11 cents, and 6 cents for each copy of the song book for the album.

That royalty statement I received 3 months ago told me that I had accumulated a royalty balance of $24.95, but OCP doesn’t make any payment to artists until it’s over $25. So when a new statement arrived today showing that they had sold 3 CDs and 1 book (!!!!) I had 37 cents added to my balance, and a check for the total ($25.32) was included.

I sometimes am dazzled by the big bucks that some composers of my acquaintance must be getting. The fact is that 37 cents doesn’t mean a hell of a lot; but if I was to make 37 cents every day for the next year, the total would be over $135. Again, not a lot, but not bad for one song.


By the way, Bobby’s CD is still available If We Dare to Hope



Monday, April 23, 2012

Life as a Church Musician







I go to church. I go to the UCC, First Congregational Church in Norwich, NY. I am a church musician.

Now under normal circumstances, that last statement would preclude that I am either the organist or the choir director or both. I am neither.

My position is Music Ministry Associate.

Being an Associate always reminds me of Wal*Mart because all their employee name tags say “associate” on them. I don’t have a name tag…what am I talking about? I don’t even have a blue vest! So what is this oddball position?

At UCC, First Congregational Church, we have an extremely talented and knowledgeable choir director, an outrageously talented organist, and a wonderfully gifted bell choir director. This photo shows us all with Pastor Joe.




So what I get to do is all the things that these three don’t have the time or energy to do. And believe me, as far as I’m concerned, that’s all the fun stuff.

Briefly, I get to write and arrange a lot of music, play the guitar as solo and accompaniment, preview all the choir music, work with the web site, do music outreach to other churches, and substitute for singers in the choir and sometimes for the bells too. Along the way, I have also completely refurbished the music office, weeded the music collection, and purchased some new instruments for the church, and done quite a bit of recording.

If that weren’t enough, I have written a Christmas cantata (The Child) with Pastor Joe Connolly, and we are planning on writing an Easter cantata for 2013.

And if THAT weren’t enough, I created a church music seminar called “Water from the Well” to which we invite well known church composers from all over the country to come and work with us.

I was offered this position back in 2007 and was given the opportunity to write my own job description. How many times does something like that ever happen?



And now it’s ending, and I am sure of two things:


1- It has been a great ride.

2- This situation is probably never going to be duplicated.



As relocation for my wife and I becomes a reality, I will be looking around for another church position, which (I’m sure) will be vastly different than this one, and (I’m equally sure) just as rewarding.


Note: I will be releasing a new vocal CD in a couple weeks. I will post an update on that here sometime in early May. In the meantime, I’ll remind you that my music is available through Amazon, CDBaby, Rhapsody, iTunes, Spotify and dozens of other outlets. You can usually find them by typing “Tom Rasely” into the search bar of any of those sites. Plus, there are 10 videos at Tom's Youtube

Friday, March 23, 2012

Spare Time


How’s that 1981 hit tune by Styx go?

Oh yes: I’ve got too much time on my hands. Well, I don’t know about the “too much” part, but I do have a goodly amount of time during the week to pursue a lot of interests. So, you’re probably asking yourself: what does a musician in the middle of nowhere do when he’s not doing music? And here’s the answer…


First, you have to understand that our home is more of a Hobby Farm than anything. My wife is the farmer. I sometimes refer to myself as the hired hand that lives in old trailer out in the North 40. It’s not that bad; we don’t have 40 acres.

This year, we expanded our chicken flock to 11 layers, of mixed breeds. That makes for a lovely selection of eggs. We also built a fairly large shed for the goats that arrived last summer. Between that and putting up fencing, and repairing our hoop house, there was enough physically demanding activity to keep me occupied for a few days…weeks…etc.

Some of you may be aware of my vintage sci-fi space movie collection. I have strange space adventures films and TV show episodes from 1926 on up. Most of them are from the true classics between 1950 and the late 60s. “Aelita, Queen of Mars” (Russian, 1924) and “Woman in the Moon” (German, 1929) are black and white silent pictures that are absolutely precious. The 3 Flash Gordon serials with Buster Crabbe are favorites, and they led me to experiment watching “Star Wars: A New Hope” in black and white. You can try that by going to your settings and taking the color bar to the extreme left. This film has an entirely different feel to it in black and white.


My interest in the Civil War stems from an invitation from my good friend Douglas Rose to work on a video about the battle of Gettysburg. As things unfolded, I not only have read a lot about this conflict, but also have visited 5 or 6 battlefields; and I discovered that I had several relatives who fought for the North (Pennsylvania regiments), two of whom were wounded at Gettysburg.

The Marx Brothers are my all-time comedy heroes. I have all the movies that they were in with either 3 or 4 of the brothers. When I desperately need to be brought back to Reality, I put in one of their films.

Thomas Lawrence (AKA: Lawrence of Arabia) is also a hero of mine. Having read the Lowell Thomas accounts, and seen the 1962 film, I went on to read several other reliable histories about this amazing man. I even made a sojourn to his cottage in England called Clouds Hill.

Whenever I can take a few days off (really off), I try to get to see a major league baseball game. I’ve been to Fenway (Boston) twice, Wrigley (Chicago), the Astrodome (Houston), Turner Field (Atlanta), the old Cleveland Municipal Stadium (The Mistake by the Lake), Citizens Bank Park (Philadelphia), the Rogers Center (Toronto), and Camden Yards (Baltimore). I really don’t care who plays: I mainly want to see a game well played; it’s a beautiful thing!

Life is never dull, never stagnant. One of these days, I’ll expand on what my church music job entails. That’s a good story all by itself.

While you’re waiting, I’ll remind you that my music is available through Amazon, CDBaby, Rhapsody, iTunes, Spotify and dozens of other outlets. You can usually find them by typing “Tom Rasely” into the search bar of any of those sites. Plus, there are 10 videos on Youtube

So you see, it’s not all music out here in the Nowhere.

Friday, January 20, 2012

Inspiration

Where does an idea come from?



Recently on Facebook, I posted that I had written 62 pieces of music during 2011. That’s more than one a week! I should be exhausted. But I’m not. I find it exhilarating, and inspiring.

Inspiration is a much maligned word. It gives people the impression that ideas come from some mystical place like out of the clear blue sky. And I suppose that sometimes happens…or at least SEEMS to happen.

There is a truth: if you seek you will find. That’s another way of saying, keep your eyes open. Keeping your mind open at the same time helps too.

I’ve been inspired to write music by a friend’s last name, by the suggestion of a fellow music teacher, by marriages, by playing a ”wrong” chord, by the necessity of filling up a CD’s worth of music.

The photo above was taken one night as I was returning home from a day of teaching guitar lessons. As I crested the hill above East Pharsalia NY, this is the sight that met my eyes. Incredible. I immediately came home and was inspired to write…nothing. I just thought it was pretty.

On another night returning home from teaching guitar lessons, I was listening to the radio, and heard what I thought was a choir singing nonsense syllables. What with the static of the radio, the noise of the road, and the heater going full blast, I eventually found out that it wasn’t nonsense, and it wasn’t even a choir. But when I got home, I sat down and wrote a piece of music with nonsense syllables called “Dmm Dmm” for a capella 5-part choir. I refer to it as an instrumental song for chorus.

So, where do ideas come from? Anywhere, everywhere, anyhow and everyhow. Sometimes they show up when you aren’t looking specifically for them, and sometimes they do. Sometimes they result in something, and sometimes they don’t. There’s no pattern, no formula. But one thing is definitely true: if you are ready for a new idea, you’ll spot it quicker and clearer when it does come.

Here are some of my latest inspirations Tom's inspirations

Saturday, December 31, 2011

The March of Time! 2011 in Review

2011 is now history. But what a lot of things happened this year!

JANUARY led off with my annual insult from ASCAP, the royalty collection agency. Each year I fill out an application for their ASCAPlus award, and have gotten it for the past 15 years. It’s their unspoken way of saying, “We didn’t track any of your airplay because you’re just not important enough, so we’ll throw you this bone.” I love these guys. Also, in January, I played a concert at Danby Federated Church, near Ithaca, and got reacquainted with my old friend Ed Enstine. And on the 9th of January, I turned 60.

FEBRUARY brought a lot snow and lesson cancellations. But I was making good progress on my choral song cycle “The Best of Times” based on writings of Charles Dickens.

In MARCH, the church choir was preparing for our Easter music. And it was in March that I made the first of 5 church visits as part of our music ministry outreach at UCC, First Congregational, Norwich. On top of that I played guitar in the pit band for “The Robber Bridegroom” at Morrisville College. What a blast to play that much bluegrass/old-timey music!

APRIL was the month that I finally heard my string quartet played, thanks to Deb Mineo-Devine and students. And I was working hard on completing my “Back in the Window” project. You can read details about that in the previous blog post. In MAY that album was released on CDBbay.com. Also in May I presented my 2-day blues seminar at Norwich High School for the Music in our Lives class.

In JUNE, I was contacted by the Greg Kunde Chorale asking permission to perform the world premiere of “The Best of Times in an October concert; more on that momentarily. Also in June, I submitted a new Christmas carol, co-written with Pastor Joe Connolly, to a contest. I generally avoid contests, but I took this as a challenge just to see if I could write such a piece. This June, my wife and I celebrated our 40th wedding anniversary.

In JULY, I treated myself to a new sound system. I went from 80 watts to 300 with my Yamaha Stagepass system. An amazing machine! Also in July, the CD “Journeys” was released. This is a collection of lovely songs that I wrote with my good friend, Douglas Rose.

AUGUST was really busy with performances. The UCC music department hosted Water from the Well II, with guest composer Joseph Martin. The Chenango River Theater presented 15 performances of “Breaking Up Is Hard to Do” (music of Neil Sedaka), with me on guitar. The Earlville Opera House presented a fund raiser concert “A Summer Guitar Summit” in which I played the role of project director. And to top it all off, I played a noontime concert in the downtown park in Norwich for the BID.

SEPTEMBER was almost relaxing; although there was a goodly amount of guitar lessons as well as the church choir reforming after its summer break. Also, Scott Adams invited me to work on yet another Christmas album for the Logos Bookstore chain with him. We took my solo guitar project “Holy Night” and added some beautiful orchestration, with the help of superb cellist Chris White.

In OCTOBER, I played an art opening at the Chenango County of the Arts gallery. And the Greg Kunde Chorale did sing “The Best of Times” on October 30th at the St. Louis Church in Pittsford, NY. I was invited to give a pre-concert talk on the piece, and it was well-received.

NOVEMBER tends to be a quiet month, and outside of teaching and church music, I treated myself to two new Shure microphones: an SM57 and an SM58. Lovely.

Then DECEMBER brought yet another opportunity to play for the Chamber of Commerce Business-after-Hours at the local bank. That’s always fun. And then of course, the Christmas Eve music, which included the premiere performance of that Christmas carol I referred to earlier, “One Angel Sings.” It didn’t win the contest, but it worked perfectly in our service.

In all I wrote about 65 pieces of music this year, about half of which were recorded, and the other half were for choirs. The search for a workable online distribution for these pieces will be a definite focus for 2012, along with a new vocal CD to be released in late April.

Best wishes for everyone in 2012!